Killed It! Records is continuing to expand beyond BARELY ALIVE with the release of elden’s new ‘POWERTRIP EP’, out now.
The project serves as the label’s first standalone release from an artist outside its founders, making it an important early statement for Killed It!’s broader mission of developing and supporting the next generation of brostep and heavy bass producers.
elden proves a natural fit for that direction.
Finding the Balance Between Beauty and Chaos
Across ‘POWERTRIP EP’, he draws from the sound and energy of classic dubstep and brostep while leaning into more contemporary production techniques, emotional songwriting, and sharp dynamic contrast. That approach comes into clearest focus on “FIREWALL,” the project’s centerpiece and a track built around the collision of beauty and chaos.
elden says the song began with a rough drop idea that almost never made the final project. He eventually pushed through the track late in the creative process, and it became his favorite song on the EP. The finished version moves between high-energy melodic sections and more destructive drops, continuing the heavy-meets-vulnerable direction he recently explored on “War Machine.”
That range has helped generate early support from some of bass music’s biggest names. Excision has played elden’s music at Bass Canyon, while Levity and Tape B have supported him during their Summer Program Tour. Ray Volpe, Eliminate, Crankdat, Boombox Cartel, Marshmello, and BARELY ALIVE have also shown support across social media.
elden has been equally enthusiastic about releasing the project through Killed It!, describing the label’s development as inspiring and pointing to the ideas already taking shape behind the scenes.
The timing places ‘POWERTRIP EP’ at an interesting point for both artist and label. Killed It! is expanding its identity beyond BARELY ALIVE, while elden is beginning to translate rising tastemaker support into larger live opportunities, including an upcoming set at Avalon Hollywood on the “RECONNECT” Tour.
Rather than simply recreating the sounds that shaped his influences, elden uses ‘POWERTRIP EP’ to reshape them around his own instinct for melody, vulnerability, and impact.
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Raised in upstate New York, I was always a big fan of music but never really listened to electronic music. Within the first month of attending Florida State University and meeting some new friends, I was introduced to the rave scene. After seeing Ekali at my first show, I was instantly hooked. Since then, I have dived into every subgenre of electronic music, picked up DJing, and mixed for clubs and different entertainment events in Tallahassee. Once graduating with degrees in marketing and hospitality, I was hired for a sales position. However, I recently decided to leave my sales job to pursue my dream of working in the music industry. Currently, I run Magnetic Magazine's Melodic Techno Charts, along with my role as a PR and marketing specialist for different artists and labels. Some of my favorite artists are REZZ, Kyle Watson, TOBEHONEST, San Pacho, Josh Baker, HUGEL, ARTBAT, Vintage Culture, Ganja White Night, CamelPhat, Green Velvet, Jungle, Milky Chance, Paco Versailles, Franc Moody, and RÜFUS DU SOL. My favorite festivals are Hulaween (by far), EDC Orlando, and all the different venues during Miami Music Week. Outside of music, I love sports (especially hockey, soccer, tennis, basketball, and spike ball), going to the movies, working out, sushi, Chick-fil-A, food in general, and hanging with my dog Maui and my cat Loki. Feel free to reach out to me via my email or on IG, I love expanding my network of friends and business opportunities!
