Magnetic Magazine: Music, Culture & Gear Reviews

Industry

Jonas Saalbach on Rediscovering His Sound and Debuting on Purified Records

By Will Vance
Feb 20, 2026

Frank Storm on Phones vs Presence in the Booth and His New Physical Love EP

Oliver Koletzki on Why Risk Matters in a Saturated Release Cycle

Ben Pierre’s Remix of Pørtl’s “Elodie” Kept the Soul, Then Rebuilt the Flow

Label Radar x Winter Music Conference: Raphael Pujol’s Demo Tips For Getting Signed In 2026

Industry

eBook Release: What Artists Need to Know About U.S. Touring Visas

By Magnetic
Jan 9, 2026

Industry

Wave Wave on Touring Reality in 2026 – Promo, Pressure, and Routine

By Will Vance
Feb 27, 2026

Music

Latest Single From Producer And DJ Avi Sic Is Out Now: Listen To “Shake (Like Chris Lake)”

By Lisa Van Dijk
Feb 27, 2026

Industry

Spencer Brown credits Stereo Montreal for reshaping his approach to long-form DJ sets

By Will Vance
Feb 27, 2026

Music

MYLAMINE Returns with “Come With Me (Stay)” on Electronic Brew

By Will Vance
Feb 27, 2026

Industry

Qrion Discusses Routine, Community, and Her Return to Last Night On Earth

By Will Vance
Feb 27, 2026

Music

Finest Wear Opens Minor Sounds’ 2026 With Good Vibrations EP

By Magnetic
Feb 27, 2026

Music

JAMIIE & Ape Drums Debut on Crosstown Rebels with “4ME”

By Will Vance
Feb 27, 2026

Music

Sparrow (CH) Launches Solo Era with “Sweet Desire” feat. Charli on Tortuga

By Will Vance
Feb 27, 2026

Industry

Mia Mendi on Community, Instinct, and Sustainable Output

By Will Vance
Feb 27, 2026

Music

DJ Meme and Antoinette Dunleavy Drop “So Beautiful” on The Disco Express

By Magnetic
Feb 27, 2026

Music

Luv Glissant Announce No Longer In Control With Vinyl to Follow on Whiskey Pickle

By Magnetic
Feb 27, 2026

Music

Brussels Artist Rosie From The Block Shares New Single “Different”

By Magnetic
Feb 27, 2026

Music

“We’ve learned that we don’t need to fill every moment” No Parachute interview

By Jack Jones
Feb 27, 2026

Industry

The Creative Boundaries That Defined L’homie’s LIFELINE EP

By Will Vance
Feb 27, 2026

Industry

Dan Duncan on Why Suru Was Built for Working Producers

By Will Vance
Feb 27, 2026

Industry

Brand-Owned Festivals Are Rising – Nick Morgan Explains the Industry Shift

By Will Vance
Feb 27, 2026

Industry

Frederic. on Why Precision Matters More Than Performance in the Booth

By Will Vance
Feb 27, 2026

Industry

Ben Pierre on Storytelling in DJ Sets Vs. Storytelling DAWs

By Will Vance
Feb 26, 2026

Industry

Orkun Bozdemir on Timing, Restraint, and Direction in Long Sets

By Will Vance
Feb 26, 2026

Industry

SimbaSōl Talks Creative Decision Making in the Booth, One Choice at a Time

By Will Vance
Feb 26, 2026

Industry

EdOne Breaks Down How He Protects Instinct From Platform Pressure

By Will Vance
Feb 26, 2026

Gear

iFi GO link 2 Targets Simple Hi-Res Playback From Any USB Source

By Will Vance
Feb 26, 2026

Gear

L-Acoustics Adds New Creative Studio in Nashville for L-ISA Workflows

By Will Vance
Feb 26, 2026

Industry

The Circuit Group Launches Label Services Platform for Independents

By Will Vance
Feb 26, 2026

Gear

How It Was Made: Swanya & LARSa- Postcards from the Club

By Will Vance
Feb 25, 2026

Gear

5 Of The Best Vocal Tuning Plugins for Home Studios in 2026

By Will Vance
Feb 25, 2026

Gear

Audeze Maxwell 2 Review: PS5 Performance, Firmware Reality, And Comfort Notes

By Will Vance
Feb 25, 2026

Events

Save $1000+ at WMC 2026 With the Official EPIC Hotel + Pro Badge Bundle

By Will Vance
Feb 25, 2026

Gear

oeksound Celebrates 10 Years of Soothe and Its Impact on Modern Mixing

By Will Vance
Feb 25, 2026

Gear

Excite Audio Launches Evolve Air With 250+ Presets and a Quad-Layer Engine

By Will Vance
Feb 25, 2026

Music

Eddy D’Amato: Building Momentum, Identity and the Future of MODVL in 2026

By Lisa Van Dijk
Feb 25, 2026

Music

Teocino on Crafting Momentum, Emotion and Mainstage Impact in ‘Fall Again’

By Lisa Van Dijk
Feb 25, 2026

Gear

Audimixpro’s Andres Troncoso Uses NUGEN Audio to Train Emerging Engineers in Cali

By Magnetic
Feb 24, 2026

Gear

BluOS Integrates 85,000+ Radio Stations and 105,000 Podcasts via airable

By Magnetic
Feb 24, 2026

Gear

Melodyne Alternatives in 2026 – What to Use Instead

By Will Vance
Feb 20, 2026

Music

L.D.F. Launches World Beats Vol.1 With Rahaan, Jesse Bru and DJ Merci

By Magnetic
Feb 20, 2026

Music

Pørtl’s “Elodie” Got a New Club Shape in Night Breeze’s Remix

By Will Vance
Feb 20, 2026

Gear

Triangle Capella 2 Revealed: WiSA Wireless, 24-Bit Streaming, Matching Turntable

By Will Vance
Feb 20, 2026

Industry

D’Julz on Longevity, Relevance, and Protecting the Dancefloor

By Will Vance
Feb 20, 2026

Industry

Jonas Saalbach on Rediscovering His Sound and Debuting on Purified Records

By Will Vance
Feb 20, 2026

Industry

Marc Lenz on the Quiet Ways DJs Support Each Other Behind the Scenes

By Will Vance
Feb 20, 2026

Gear

How It Was Made: CLARAA – No Fear feat. GHSTNR (Connected Frontline + Afro House)

By Will Vance
Feb 20, 2026

Music

M1NT & STRNGE Chart “New Horizons” on Last Year At Marienbad

By Magnetic
Feb 20, 2026

Music

RAW78 and Samara Drop “Lost In Motion” on Vibe Chemistry’s Make Your Era

By Magnetic
Feb 20, 2026

Industry

HUMAN and the Future of Club Culture, According to PAN-POT

By Will Vance
Feb 20, 2026

Gear

How It Was Made: Eric Powell – Bearhugg

By Will Vance
Feb 20, 2026

Music

Steller’s ‘Shifting The Lens’ EP Explores Introspection Through Bass Music

By Connor Phillips
Feb 20, 2026

Gear

How It Was Made: Cristi Cons – Give Me Love

By Will Vance
Feb 20, 2026

Industry

Sam Perricone on Reclaiming Identity Through New Wing

By Will Vance
Feb 19, 2026

Uncategorized

Tempo Pro Gives Producers a Cleaner Way to Step Outside and Come Back Focused

By Will Vance
Feb 19, 2026

Industry

WMC 2026 Second Wave Adds Beatport Live Pool Parties, SoundOn at TikTok & Industry Leaders

By Will Vance
Feb 19, 2026

Gear

ATC Shows Off The EL50 Anniversary Active Tower at Bristol Hi-Fi Show 2026

By Magnetic
Feb 19, 2026

Gear

How It Was Made: Aamir Zee – “On Time”

By Will Vance
Feb 19, 2026

Music

INTERVIEW: Crackazat wants to bring back the GROOVE in 2026 with his new single “Pick Me Up”

By Aidan Grant
Feb 19, 2026

Industry

Max Chapman on Fatherhood, Burnout, and Questioning His Place in House Music

By Will Vance
Feb 19, 2026

Gear

Minimal Audio Poly Flanger Brings Scale-Aware Modulation to Modern Producers

By Will Vance
Feb 19, 2026

Gear

DemerBox DB2 Review: Is It Worth $399 for Camp Trips and Boat Days?

By Will Vance
Feb 19, 2026

Gear

Audio3 Builds a System-First Approach to Modern Hi-Fi

By Magnetic
Feb 18, 2026

Industry

CALAO Reflects on Social Media, DJ Culture, and the Release of “SCANDAL”

By Will Vance
Feb 18, 2026

Gear

How It Was Made: HL & Elvii – “Fighting For Freedom”

By Will Vance
Feb 18, 2026

Industry

Thinking About ADE 2026? Here’s Your Last Chance for Pre-Sale Access

By Magnetic
Feb 18, 2026

Music

A High-Energy Anthem with Heart: ‘Love Is The Piece’

By Lisa Van Dijk
Feb 18, 2026

Industry

Roddy Lima Explains Why Consistency Beats Intensity in DJ Culture

By Magnetic
Feb 17, 2026

Jonas Saalbach on Rediscovering His Sound and Debuting on Purified Records

eBook Release: What Artists Need to Know About U.S. Touring Visas

Wave Wave on Touring Reality in 2026 – Promo, Pressure, and Routine

Latest Single From Producer And DJ Avi Sic Is Out Now: Listen To “Shake (Like Chris Lake)”

Spencer Brown credits Stereo Montreal for reshaping his approach to long-form DJ sets

MYLAMINE Returns with “Come With Me (Stay)” on Electronic Brew

Qrion Discusses Routine, Community, and Her Return to Last Night On Earth

Finest Wear Opens Minor Sounds’ 2026 With Good Vibrations EP

JAMIIE & Ape Drums Debut on Crosstown Rebels with “4ME”

Sparrow (CH) Launches Solo Era with “Sweet Desire” feat. Charli on Tortuga

Mia Mendi on Community, Instinct, and Sustainable Output

DJ Meme and Antoinette Dunleavy Drop “So Beautiful” on The Disco Express

Luv Glissant Announce No Longer In Control With Vinyl to Follow on Whiskey Pickle

Brussels Artist Rosie From The Block Shares New Single “Different”

“We’ve learned that we don’t need to fill every moment” No Parachute interview

The Creative Boundaries That Defined L’homie’s LIFELINE EP

Dan Duncan on Why Suru Was Built for Working Producers

Brand-Owned Festivals Are Rising – Nick Morgan Explains the Industry Shift

Frederic. on Why Precision Matters More Than Performance in the Booth

Ben Pierre on Storytelling in DJ Sets Vs. Storytelling DAWs

Orkun Bozdemir on Timing, Restraint, and Direction in Long Sets

SimbaSōl Talks Creative Decision Making in the Booth, One Choice at a Time

EdOne Breaks Down How He Protects Instinct From Platform Pressure

iFi GO link 2 Targets Simple Hi-Res Playback From Any USB Source

L-Acoustics Adds New Creative Studio in Nashville for L-ISA Workflows

The Circuit Group Launches Label Services Platform for Independents

How It Was Made: Swanya & LARSa- Postcards from the Club

5 Of The Best Vocal Tuning Plugins for Home Studios in 2026

Audeze Maxwell 2 Review: PS5 Performance, Firmware Reality, And Comfort Notes

Save $1000+ at WMC 2026 With the Official EPIC Hotel + Pro Badge Bundle

oeksound Celebrates 10 Years of Soothe and Its Impact on Modern Mixing

Excite Audio Launches Evolve Air With 250+ Presets and a Quad-Layer Engine

Eddy D’Amato: Building Momentum, Identity and the Future of MODVL in 2026

Teocino on Crafting Momentum, Emotion and Mainstage Impact in ‘Fall Again’

Audimixpro’s Andres Troncoso Uses NUGEN Audio to Train Emerging Engineers in Cali

BluOS Integrates 85,000+ Radio Stations and 105,000 Podcasts via airable

Melodyne Alternatives in 2026 – What to Use Instead

L.D.F. Launches World Beats Vol.1 With Rahaan, Jesse Bru and DJ Merci

Pørtl’s “Elodie” Got a New Club Shape in Night Breeze’s Remix

Triangle Capella 2 Revealed: WiSA Wireless, 24-Bit Streaming, Matching Turntable

D’Julz on Longevity, Relevance, and Protecting the Dancefloor

Jonas Saalbach on Rediscovering His Sound and Debuting on Purified Records

Marc Lenz on the Quiet Ways DJs Support Each Other Behind the Scenes

How It Was Made: CLARAA – No Fear feat. GHSTNR (Connected Frontline + Afro House)

M1NT & STRNGE Chart “New Horizons” on Last Year At Marienbad

RAW78 and Samara Drop “Lost In Motion” on Vibe Chemistry’s Make Your Era

HUMAN and the Future of Club Culture, According to PAN-POT

How It Was Made: Eric Powell – Bearhugg

Steller’s ‘Shifting The Lens’ EP Explores Introspection Through Bass Music

How It Was Made: Cristi Cons – Give Me Love

Sam Perricone on Reclaiming Identity Through New Wing

Tempo Pro Gives Producers a Cleaner Way to Step Outside and Come Back Focused

WMC 2026 Second Wave Adds Beatport Live Pool Parties, SoundOn at TikTok & Industry Leaders

ATC Shows Off The EL50 Anniversary Active Tower at Bristol Hi-Fi Show 2026

How It Was Made: Aamir Zee – “On Time”

INTERVIEW: Crackazat wants to bring back the GROOVE in 2026 with his new single “Pick Me Up”

Max Chapman on Fatherhood, Burnout, and Questioning His Place in House Music

Minimal Audio Poly Flanger Brings Scale-Aware Modulation to Modern Producers

DemerBox DB2 Review: Is It Worth $399 for Camp Trips and Boat Days?

Audio3 Builds a System-First Approach to Modern Hi-Fi

CALAO Reflects on Social Media, DJ Culture, and the Release of “SCANDAL”

How It Was Made: HL & Elvii – “Fighting For Freedom”

Thinking About ADE 2026? Here’s Your Last Chance for Pre-Sale Access

A High-Energy Anthem with Heart: ‘Love Is The Piece’

Roddy Lima Explains Why Consistency Beats Intensity in DJ Culture

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