Kyle Walker (@kylewalkersongs) and RUZE link up for “6AM,” a new house single that landed last month on May 15, 2026, through Dub Or Die Records. The release brings together Walker’s L.A.-rooted take on deep, melodic, and tech-leaning house with RUZE’s UK groove-driven approach, giving the track a smooth late-night feel built around quick drums, R&B vocal touches, sax details, and a summer-ready low-end.
Walker has continued to build his catalog through Dub Or Die, Factory 93, Forever Days, and PIV, while bringing his sound to major stages including EDC Las Vegas and Nocturnal Wonderland. RUZE, the Birmingham duo behind Staff Only Records, have earned support from BBC Radio 1 and released across labels including PIV and Hot Creations, with sets at fabric, Ministry of Sound, and other key club spaces. Together, “6AM” sits in a lane that feels polished, soulful, and built for warm-weather dancefloors.
In the conversation below, Kyle Walker talks about access, mentorship, and the responsibility that comes with having a platform.
He reflects on early support from John Summit, why genuine enthusiasm matters when helping other artists, and how the current music economy can confuse visibility with talent. His answers offer a clear look at how artists can back new music, broaden their circles, and know when to share space with someone else.
Interview With Kyle Walker
Was there a moment when someone extended access to you that meaningfully shaped your trajectory?
John Summit was a huge part of shaping where I am. We had the same management and first met in person at Miami Music Week in 2018, and from there he became a genuine supporter in every sense: playing my music out, posting about it, finding any way he could get it into people’s ears.
He also helped me early on with production, giving feedback on tracks when I was still finding my sound. That kind of support from someone at his level gave me real runway. It opened doors to supporting his shows, which in turn gave me the credibility and exposure to start building my own headline story. It was not one specific moment. It was sustained, and that meant more than a single co-sign could.
In what ways, if any, do you try to create opportunities for others now?
I try to support people the same way John supported me, through genuine enthusiasm for the music. That looks like giving feedback when artists reach out, and playing out records from people I believe in when others might not be there yet.
I do not need to have met someone to get behind them. I feel like you can get a real sense of who a person is through the way their music sounds. Right now, there are a handful of artists I think deserve a lot more light: Nate Katz, Kassko, Cuba, Pauly, and Chesster, to name a few.
How do you see access and inclusion playing out in today’s scene?
Access is at an all-time high. Anyone can post on social media and be seen, and that is genuinely exciting. It is also a double-edged sword, because anyone can post, so there is so much out there to sift through that it can actually turn people off from digging.
The diamonds in the rough are still there. They are just buried deeper. Honestly, what that environment ends up rewarding is not always the most talented artist. It is the one who understands the algorithm. That worries me a little. Real artistry can get lost in the noise when the game becomes about visibility over substance.
What are practical ways DJs can help broaden lineups and perspectives within their circles?
Take more chances. Do not wait for a bigger name to co-sign something before you play it. If you love a record, play it, push it, and trust your gut.
I listen to music from the moment I wake up to the moment I go to sleep, finding it everywhere: emails, YouTube, other artists’ mixes, Spotify, and friends sending things through. You have to be that immersed to really know what is good before everyone else does.
The scene broadens when the people with platforms stop looking sideways for permission and start backing what they genuinely believe in.
How do you recognize when it is time to share space or step aside for someone else?
Honestly, it is just a vibe. You can feel these things. I do not think it is more complicated than that. When the moment calls for someone else to have the space, you feel it. Learning to trust that instinct is part of growing as an artist and a person.
Will Vance is a professional music producer who has been involved in the industry for the better part of a decade and has been the managing editor at Magnetic Magazine since mid-2022. In that time period, he has published thousands of articles on music production, industry think pieces and educational articles about the music industry. Over the last decade as a professional music producer, Will Vance has also ran multiple successful and highly respected record labels in the industry, including Where The Heart Is Records as well as having launched a new label with a focus on community through Magnetic Magazine. When not running these labels or producing his own music, Vance is likely writing for other top industry sites like Waves or the Hyperbits Masterclass or working on his upcoming book on mindfulness in music production. On the rare chance he's not thinking about music production, he's probably running a game of Dungeons and Dragons with his friends which he has been the dungeon master for for many years.
