Paris-based DJ/producer 4000 Hz will land on UK-based imprint Teletech for the first time later this month. The supremely talented, rising hard dance star will release ‘Hot Sensation’ on 21st November.
An ardent fan of rave and electronic music scene since a teenager, grounded in the French rave scene, Sacha G aka 4000 Hz first began producing after being fascinated by the seemingly endless creative opportunities hardware and machines provide. Having positioned himself at the forefront of France’s nu-trance movement, 4000 Hz is now highly regarded for his ability to stitch contemporary techno grooves with the bounce of old school trance influences.
“Hot Sensation’ is a high-energy, club-driven track blending infectious bounce rhythms with seductive house-infused vocals. It’s crafted for both dancefloor and streaming and captures that perfect balance between underground groove and mainstream appeal,” adds 4000 Hz.
Piece of Road Gear #1: iPod Shuffle
Every millennial knows the iPod Shuffle, and for younger readers, it might seem wild to see a music device in this tiny format without any screen or internet connection. Despite its simplicity, the Shuffle is ultra-portable and has an everlasting battery life in today’s standards, making it the perfect match for travel. I take it on planes and trains when I want to carry a huge music library without the bulk of my laptop or my phone. Its lightweight design lets me enjoy music effortlessly on the go, whether I’m waiting in line or passing the time in the cab.
I primarily use my iPod to listen to music that’s completely different from what I play in my sets or produce myself. It’s a way to revisit my classics, explore genres outside those dance floor-oriented tracks, and step back from the scene I’m immersed in. Listening purely for pleasure helps me disconnect from the work side of music, which can be rare when your career revolves around DJing and producing. This downtime also often sparks inspiration and fresh ideas that I can bring back into my creative process.
For other DJs, I’d recommend taking this kind of musical step back regularly. Stepping away from your usual genres and listening purely for enjoyment allows you to recharge, gain perspective, and return to your sets and productions with renewed creativity. Sometimes distancing yourself is the best way to come back more inspired than ever.
Piece of Road Gear #2: Zoom H4 Essential field recorder
The Zoom H4 Essential is a portable 4-track recorder that features built-in stereo microphones and XLR/Jack inputs, giving me the flexibility to capture a wide range of audio sources. Its compact form factor and rechargeable batteries make it ideal for travel. I mainly use the H4n to replay my sets in full and evaluate my performance, as listening in a quiet environment helps me catch technical mistakes and identify areas for improvement that might go unnoticed in the club.
I’ve used the Zoom H4 on every gig as it excels at capturing the true atmosphere of a set with the crowd through its pair of integrated microphones, while simultaneously recording the clear audio of my mix straight from the mixer. The bright color screen is a major advantage during gigs, allowing me to set up and start recording quickly without stressing or disturbing the artist who is still playing before me. I also use it a lot to record ambient sounds during my travels that I might want to incorporate into my future productions. I see it as a memory camera, but for audio.
For other DJs and performers, I recommend always checking your levels before a set to avoid any bad surprises, such as clipping. Bringing spare batteries or a power bank can save an important recording during long gigs. Pre-setting gain levels for different venues can also save valuable time. Finally, listening back to your recordings after the gig is essential for growth and creating high-quality content to share with your audience.
Piece of Road Gear #3: JBL Go 4 portable speaker
The JBL Go 4 is my go-to portable speaker when I’m on the road. It’s small enough to fit in any backpack or carry-on bag but powerful enough to fill a hotel room with fairly balanced sound. For something so compact and lightweight, it delivers impressive volume and warmth across the frequency spectrum, making it ideal for both casual listening and quick reference checks. It’s also built like a tank and holds a long charge, which makes it super practical when on the move.
I use it constantly when I’m traveling to gigs, from warming up in hotel rooms and testing new traditions to sharing fresh demos with other artists. Backstage is where it really shines for me, often leading to a side-party where everyone shares their latest finds and gems, which always gets conversations going. It’s far more convenient than phone speakers, and as a producer, it’s a handy way to quickly reference mixes on a real-world system.
For any DJ or producer who’s always moving between shows, this little speaker is a no-brainer. It’s durable, travel-friendly, and delivers consistent sounds wherever you end up. From airport lounges to green rooms, this speaker never let me down. It’s one of those pieces of gear you don’t think you need until you start using it, and then you end up never traveling without it again.
Piece of Road Gear #4: Polyend Tracker Mini
The Polyend Tracker Mini is a compact, standalone audio workstation that fits in your pocket and looks like a retro gaming console. It lets you sample, sequence, synthesize, and make music anywhere. With up to 8 hours of battery life, 16 tracks (8 stereo audio and 8 MIDI), and up to 48 instruments per project, stereo sampling, and a built-in microphone, it delivers incredible capability for such a portable form factor. This device’s size makes it ideal for mobile production, and the game-controller style buttons give it that “console” feel, which adds a fun dimension to creating and experimenting on the go.
When I travel, I pull the Tracker Mini out whenever I want to make music just for fun, not because I have to deliver a track or follow a strict production plan. For example, I was sitting in a train heading to Lyon, and instead of opening my laptop, I fired this little machine up and sampled the announcement made on the train speakers, built a beat around i,t and it later found its way into a real production. Its handheld gaming console format forces me not to take myself so seriously when producing, which is exactly the mindset I sometimes lose when I’m locked in performance mode. It becomes my “creative playground” where the aim is purely to reconnect with that passion that made me choose this path and to make music just for me.
If you’re a producer working on the road, I’d highly recommend giving the Tracker Mini a look. Use it as a tool to refresh your creative mindset, rather than always chasing the next release. Carry something that lets you experiment and have fun; it can be any piece of gear that appeals to you and inspires you to produce and enjoy it. Make it a habit to do quick sketches with it, and don’t worry about the details too much, the mix, or the structure. You might end up with something really cool that you can use, and if not, it’s totally fine, you still had a great time making it.
TIPS
Catch sleep whenever and wherever you can, whether it’s on a plane, a train, or anywhere in between. Rest is non-negotiable for staying physically and mentally sharp, and it’s essential for peak performances on stage.
Always try to learn a few words in the local language. It can help start the conversation with promoters and drivers, and come in handy if you ever run into trouble.
You should always double-check travel times from the hotel to the club and airport. You don’t want to get caught off guard and stress yourself out before a gig.
Keep a small first-aid kit with painkillers, band-aids, and hydration tablets. Minor issues like headaches or dehydration can ruin a show if you’re not prepared.
Always bring a portable power bank and universal adapters. You never know when your gear, your phone, or your laptop will need a charge mid-travel.
