There’s a clear mix of names shaping tech house at the moment. Artists like John Summit and CamelPhat continue to operate at scale, while others such as Crusy and San Pacho have been steadily building through consistent releases and label backing. At the same time, collaborations like Røhaan linking with Summit, or Seikaly bringing in VITO (UK), point to how interconnected things have become.
What ties these tracks together isn’t a single sound so much as where they’re landing, labels like Toolroom, Stashed and Nervous still acting as key touchpoints, alongside a steady flow of releases from artists finding their way into those circles.
These are the 15 Best Tech House Tracks of March 2026
Marco Faraone – Like That
Marco Faraone keeps things stripped and direct on Like That, leaning into a punchy low-end and a tight, rolling rhythm that does most of the work. The vocal is simple but effective, looping just enough to lock you in without becoming overbearing. There’s a toughness to it that suits darker, late-night sets, but it’s controlled rather than aggressive.
CID – Loaded Gun
CID’s Loaded Gun sticks to a clean, direct formula that’s become a hallmark of his recent output. The drums are crisp and forward, with a low end that gives it weight without overcrowding things. A simple vocal hook runs through the centre, repeating just enough to stay memorable without taking over. It lands quickly and holds attention through repetition and drive. There’s a steady, no-nonsense feel to it, more about consistency than surprise, which gives it a certain staying power across repeat listens.
SIDEPIECE – Wild
Wild leans into the brighter, more vocal-led side of SIDEPIECE’s catalogue, built around a bold topline that carries a slightly playful, pop-adjacent edge. The drums are clean and bouncy, with a bassline that keeps things moving without getting too heavy. The hook does most of the work, repeating in a way that sticks quickly, while the arrangement stays simple and uncluttered, giving it an easy, immediate appeal without overreaching.
GREG 99 – Get Stupid
Get Stupid keeps things raw and percussive, driven by a chunky low end and a stripped-back drum groove that hits with a bit more grit than polish. The vocal is direct and repetitive, sitting right at the front and giving the track its identity without much decoration around it. There’s a rough-edged feel to the whole thing that works in its favour, leaning into something slightly more unrefined and physical, with just enough variation to stop it from feeling too locked in.
Wave Wave, Mary Jensen, HILLS (US) – Clarity
Clarity is built around Mary Jensen’s vocal, which sits front and centre over a clean, mid-tempo groove. The production stays restrained, soft synth layers, light percussion, and a controlled low end, keeping the focus on the topline. It leans slightly melodic without drifting too far from a club framework, with a simple arrangement that lets the vocal carry the track.
Rony Seikaly, VITO (UK) – Running Cash
Running Cash brings together Rony Seikaly’s long-standing presence in the deeper end of house with VITO (UK)’s newer momentum on the UK circuit. Seikaly’s output over the past few years has been steady and consistent, while VITO has been picking up support across club and radio. The collaboration feels like a natural crossover point, pairing experience with a newer name that’s starting to build a profile of his own.
San Pacho – Alcoholic
Alcoholic lands during a period where San Pacho’s profile has been building quickly, with regular support from bigger names and a run of releases across established labels. His output has stayed consistent, leaning into a recognisable style that’s been working well across clubs and playlists. This one continues that trajectory, reinforcing his position as one of the more visible newer names coming through.
EdiP – Drgs & Purr
EdiP has been carving out a lane through a steady stream of club-ready releases, often landing with DJs who favour more stripped, late-night material. He’s not especially visible outside those circles, but the consistency has started to stack up. Drgs & Purr fits into that run, another record that reinforces his presence without shifting direction too much.
Crusy – A Sunset In San Francisco
Released via Toolroom Records, A Sunset In San Francisco lands as part of Crusy’s ongoing run with the label, which has seen him become a regular fixture across its recent output and radio rotation. The Spanish producer has built a strong relationship with Toolroom over the past couple of years, with multiple releases and continued support from Mark Knight. This one keeps that momentum going, another addition to a catalogue that’s become increasingly consistent.
Sofi Tukker – BOBA
BOBA lands as another left-leaning release from SOFI TUKKER, who’ve spent the past few years moving comfortably between club records and more crossover moments. The duo have built a sizeable global audience, with Grammy nominations and a steady stream of high-performing singles, and this continues that run. It leans into their more playful side, both in concept and delivery, without stepping too far away from the identity they’ve established.
DONT BLINK – OVERDRINK
OVERDRINK continues a long run of club-focused releases from DONT BLINK, who’ve built their reputation through consistent output on labels like Toolroom Records and regular support across UK radio. The duo have stayed firmly in their lane, favouring quantity and reliability over reinvention, and this fits neatly into that catalogue, another record that does exactly what you’d expect from them at this point.
CamelPhat, Rafael Cerato – Don’t Stop feat. Amarha
Don’t Stop pairs CamelPhat with Rafael Cerato, bringing together two names that have operated more on the melodic end of the spectrum in recent years. CamelPhat’s rise since their Grammy-nominated Cola has been well documented, while Cerato has built a steady catalogue across labels like Diynamic and Stil vor Talent. Featuring Amarha, this collaboration sits comfortably within that shared space.
SIK&SEM – CHARLIE
IK&SEM have been hovering around the Solid Grooves orbit for a while, and CHARLIE feels like another step deeper into that world. It’s less about a big moment and more about staying present in the right circles, releases that DJs in that scene keep picking up and running with. You get the sense they’re playing a long game with it, just steadily embedding themselves without making a big noise about it.
Røhaan, John Summit – SATA
A slightly unexpected pairing on paper, SATA links Røhaan with John Summit, two artists who’ve taken very different routes to similar levels of visibility. Røhaan’s background sits closer to bass and leftfield club music, while Summit’s rise has been far more direct, driven by streaming numbers and headline bookings. This feels like a meeting point between those worlds, bringing Røhaan into a wider spotlight while giving Summit something a bit less predictable to work with.
HASKELL, Tasty Lopez – Anthem
Out on Stashed Music, Anthem links HASKELL with Tasty Lopez on a label that’s become a reliable landing spot for club-focused releases. HASKELL’s been edging into wider view over the past year, with Radio 1 support and a run of shows that have put him in front of bigger crowds, and this feels like a logical next step, placing him within a label ecosystem that tends to travel well across the UK and Europe.
