Coco & Breezy’s (@cocoandbreezy) Free Your Soul Tour brings their music, wellness practice, and community work into one format. Each stop pairs an intentional wellness experience with a nighttime performance, giving fans two entry points into the same larger idea: movement, release, and connection through sound.
Tickets available at www.cocoandbreezymusic.com
May 02, 2026 — Audio (Night) — San Francisco, CA
May 03, 2026 — Hotel Via (Day W/ Accompanying Wellness Activations) — San Francisco, CA
The tour follows the release of Free, their new EP on Free Your Soul / Moodswing Music. The project was shaped during a trip to Costa Rica after the loss of their father, where the twins stepped away from noise and reconnected with themselves, each other, and the mantras that now guide the record. Tracks like “Move & Flow,” “Manifest,” “I Am Free,” and “There is a Light” reflect that focus without pulling the music away from the floor.
That same sense of trust comes through in this interview, which focuses on playing with another DJ and the way collaboration can open up a set. Coco & Breezy talk about their shared language as twins, the difference between preparation and overplanning, and what they have learned from artists like AMÉMÉ and Kitty Amor while sharing the booth.
Interview
How does your mindset shift when you’re playing alongside someone else?
We become even more open-minded than usual, because we aren’t attached to any particular direction. It doesn’t matter if their style is completely different from ours, it’s the time to put the ego aside and focus on catching the synergy with the other person.
Has a B2B, or just playing alongside somebody else, ever expanded the way you think about playing music?
100%, it definitely does. We’re always students of the music. Seeing how another DJ reads the room, how they layer a track, or the way they use certain tools and effects always expands the way we think. No two people approach it in the same way, and that difference is what makes it valuable.
Do you prefer to prepare together beforehand, or let it unfold spontaneously?
We each have our own USBs and our own libraries, so there’s already a natural spontaneity built in.
Before a show or festival, we’ll talk about the general direction we want to go in, but always with the understanding that it could shift depending on what the crowd gives us. We share newly downloaded music before sets so we’re both familiar with what the other is working with, but it’s never fully mapped out. There’s always room for the unexpected.
Does sharing the booth push you into new territory musically?
Definitely. Having four arms instead of two already opens up a whole new world of possibilities.
But what makes our dynamic different is that we don’t really do B2B in the traditional sense, we don’t take turns. Because we’re twins, there’s an inner connection that makes us trust it’s going to work. Breezy might be playing two tracks, then I’ll bring in a percussion loop or an acapella, and she’ll layer FX on top. None of it is planned, and it all feels natural. It’s something really special.
We’re grateful to share the booth together.
How do you stay in sync with another DJ during a set?
In the beginning, it can be a little challenging, especially for us because we’re so used to our own connection and how naturally in sync we are with each other. But you push through and stay open to the music. The biggest thing that helps is having a conversation with the DJ beforehand. Getting on the same page early makes a huge difference, how many tracks each person will play, whether they’re comfortable with you adding FX or tools during their turn, or if they love that kind of back and forth.
That conversation sets the tone so everyone feels good going into it.
What’s something you’ve picked up from another artist during a B2B that stayed with you?
We did a surprise B2B with AMÉMÉ at Coachella on the Do LaB stage. We only found out a few hours before we went on. In the middle of all that energy, we noticed the way he was using reverb was completely different from how we use it.
It’s interesting because reverb is something so many DJs use, but everyone has their own approach. Watching him build tension and then release it with that one tool stuck with us.
Have you had a collaborative set that reignited your excitement for DJing?
Yes, our B2B with Kitty Amor in Bali at Savaya was one of those sets.
Our styles are a little different on paper, she leans more toward afro house and we’re more classic house, but that’s actually what made it so exciting. We all got to dip into each other’s sounds and explore territory we don’t always fully visit.
The synergy was just beautiful. We vibed so well together, and that connection we have as a sister duo, we genuinely felt that same energy with Kitty Amor. It was playful, it was free, and it reminded us how much fun this can be.
Will Vance is a professional music producer who has been involved in the industry for the better part of a decade and has been the managing editor at Magnetic Magazine since mid-2022. In that time period, he has published thousands of articles on music production, industry think pieces and educational articles about the music industry. Over the last decade as a professional music producer, Will Vance has also ran multiple successful and highly respected record labels in the industry, including Where The Heart Is Records as well as having launched a new label with a focus on community through Magnetic Magazine. When not running these labels or producing his own music, Vance is likely writing for other top industry sites like Waves or the Hyperbits Masterclass or working on his upcoming book on mindfulness in music production. On the rare chance he's not thinking about music production, he's probably running a game of Dungeons and Dragons with his friends which he has been the dungeon master for for many years.
